"An hour a day can be enough." Victor Piñeiro Gives Writing Advice and Discusses His MG Debut TIME VILLAINS - Inkygirl: Guide For Kidlit/YA Writers & Artists - via @inkyelbows (2024)

"An hour a day can be enough." Victor Piñeiro Gives Writing Advice and Discusses His MG Debut TIMEVILLAINS - Inkygirl: Guide For Kidlit/YA Writers & Artists - via @inkyelbows (1)

By Sara Truuvert

When your novel is deemed "the greatest idea for a book ever", you're probably on to something. That certainly seems to be the case for debut author Victor Piñeiro,whose novel Time Villainshas garnereda starred review from Kirkus and a spot as an Amazon Best Book of the Month.The bookpromises time-hopping high jinx, historic and literary Easter eggs, and even some one-sentence Puerto Rican recipes.

Time Villains follows sandwich-obsessed Javi Santiago, who has to nail his homework assignment if he wants to pass sixth grade. The assignment seems simple enough: if you could invite any three people to dinner, who would they be? Plus, Javi has his best friend Wiki and little sister Brady to help him. What could go wrong? Turns out, a lot! The trio accidentally uses an antique dining table to summon the dinner guests for real. Now, Blackbeard the Pirate is on the loose, and Javi, Wiki, and Brady must figure out how to send him back (perhaps with the help of other historical figures...).Time Villains is the first novel in a three-part series. It launched on July 6th, 2021 with Sourcebooks and is widely available to order.

Victor Piñeiro is an author and a Creative Director at HBO Max. He has also done a multitude of other cool things, like teach, make documentaries, lead content/social strategies for Big Spaceship, YouTube, Hasbro, and Google, and answer these interview questions while caring for his two-week-old child. You can find out more about Victor on his website, Twitter, and Instagram.

Q. A huge congratulations on your literary debut! Would you tell me a bit about your journey to publication?

A. Thank you! Being a published author has been the dream since I was a kid, so it’s been quite the journey! In my teens and twenties I couldn’t silence my inner critic long enough to write novels, so I turned to poetry and screenplays, writing and producing documentaries for a spell. I finally coaxed a book out in 2017 after writing daily on my (long) commute for three years. It was a very unconventional first book—the only kind I could coax out on my first try—so I shelved it and started working on Time Villains.

Three drafts in I sent Time Villains to a bunch of agents, and after chatting with a few, a friend put me in touch with Elana Roth Parker. I feel so incredibly lucky to work with Elana—she saw the seed of something in my draft and we developed it into something far more compelling. When Annie Berger at Sourcebooks showed interest in the book, it felt like winning the lottery twice. Annie and the whole team have been the most incredible partners—thoroughly brilliant and a complete joy to work with. And here we are—the book just hit shelves this week and I’m not sure what to do with myself!

"An hour a day can be enough." Victor Piñeiro Gives Writing Advice and Discusses His MG Debut TIMEVILLAINS - Inkygirl: Guide For Kidlit/YA Writers & Artists - via @inkyelbows (2)

Q. Would you please introduce us to the novel’s hero, Javi Santiago? (I must know what level of dedication to sandwiches it takes to be classified as ‘sandwich-obsessed’!)

A. Javi’s an aspiring chef and sandwichéaste (think cinéaste but for sandwiches) who’ll do anything to pass sixth grade. He’s a zany kid with an overactive imagination and a penchant for asking deep questions about food (because what makes a sandwich a sandwich, really?). He peppers in one-sentence recipes throughout the book—some of Puerto Rico’s most delectable dishes, mixed in with his own recipes (like the Spanglish Sandwich aka The Spanglo Sando™). And while he’s fun and eccentric, underneath the silliness he’s a first generation Puerto Rican kid struggling with imposter syndrome as he tries to excel at something in his life.

Q. You offer us such a hilarious dynamic between your protagonists – we have the almost-failing student, Javi, paired with his best friend, Wiki, the human Wikipedia/young professor (plus, Javi’s little sister, who wants to be the president’s bodyguard!). How did you land on this dynamic? Is it something you envisioned from the get-go?

A. The characters were floating around my head disparately but when I put them together I realized how fun their dynamic would be.

I know a few folks who are so brilliant they seem weighed down by their intelligence—it’s made them world-weary. I thought that’d be really fun to capture in an extremely-precocious sixth grader. As I was coming up with the character I remembered a line in a hip hop song I love, “Catch me solving mysteries like Wikipedia Brown.” And that’s where Wiki’s name emerged and the character solidified in my head.

In terms of Brady, I knew I wanted a hot-headed sibling/partner to steal the spotlight and do much of the butt kicking because I love that dynamic in stories, going all the way back to Frodo and Sam. I also have a few friends with wild kid sister energy and they’re the life of any party, so I knew I wanted to bring that to the trio.

"An hour a day can be enough." Victor Piñeiro Gives Writing Advice and Discusses His MG Debut TIMEVILLAINS - Inkygirl: Guide For Kidlit/YA Writers & Artists - via @inkyelbows (3)

Q. You had to develop a wide array of voices for this story, including kid Mozart, the Earl of Sandwich, and Blackbeard the Pirate. Was that a challenge? A joy? A spiralling research nightmare?

A. A spiralling research dream! This series gives me the best excuse to research my favorite folks in history and fiction, and it’s been a blast. I loved reading old texts on pirates, delving into the specifics of Mozart at age twelve and dusting off copies of old novels with iconic characters as I researched this book. And I knew nothing about the Earl of Sandwich before writing this, but how could Javinotinvite him?

There was one aspect of research that was a bit frustrating. A big focus of this series is exploring characters more representative of the world’s history and fiction, because I’m hoping this book is ultimately a gateway to other books, characters and historical figures for kids to explore. Finding a wealth of information about some historical and mythological figures from other cultures was incredibly difficult. I knew it wouldn’t be easy, but I wasn’t prepared for it to be quite so challenging—which invigorated me to include more of them in the book!

Q. You have such lovely, concise, concrete writing advice available on your website. Is there any advice my-novel-is-getting-published Victor would give I’m-starting-to-write-a-novel Victor?

A. So much advice! I think there are a few super important things that would’ve had me writing novels decades ago, so I take any chance I can get to relay them to other aspiring/young writers.

1. An hour a day can be enough. I always thought I needed to quit my job and write eight hours a day to finish a novel, which held me back for years. Then I read a Murakami interview where he said he completed his first novel by writing an hour a day after work. In that moment I felt like the universe gave me permission to write mine.

2. Lower the bar far lower than you’re comfortable with for that first draft. (No, lower!) There are passages in the first draft of my books that are barely intelligible, but I now know that’s okay. The first draft is about discovery and getting the story out of your head and onto the page. It’s far too early to be precious about anything. Just get it all out and see what you’ve got when you’re done.

3. Don’t dread rewriting—it’s far more fun than expected. Before writing my first book I was terrified of it, but it’s become one of my favorite aspects of writing. (Which is a good thing considering it’s 75-90% of what you do as a writer!)

"An hour a day can be enough." Victor Piñeiro Gives Writing Advice and Discusses His MG Debut TIMEVILLAINS - Inkygirl: Guide For Kidlit/YA Writers & Artists - via @inkyelbows (4)

Q. Do you have any advice for young writers in general?

A. Absolutely. Besides everything I said above, read about writing and join online writing communities. Screenwriting books are great for story structure basics, Stephen King’s On Writing is great for process, Brandon Sanderson’s free writing course on YouTube is absolutely brilliant,Neil Gaiman and David Mamet’s Master Class courses are gold, and Reddit’s /r/writing is a fantastic place to learn alongside others in the trenches. I also love John Truby and Lisa Cron’s books. But maybe it’s best to start withthis short Ira Glass video. Orthis brilliant reflectionon writing advice Chuck Wendig just wrote.

"An hour a day can be enough." Victor Piñeiro Gives Writing Advice and Discusses His MG Debut TIMEVILLAINS - Inkygirl: Guide For Kidlit/YA Writers & Artists - via @inkyelbows (5)

Q. Finally, I read that you used to be a documentary filmmaker and a blogger. What are some questions you would ask Blackbeard, if you met him?

A. It’d be one of those long interviews—the kind that take up the entire documentary and usually take the film crew multiple days to shoot—because I’d want to lead up to asking him how many people he actually killed. (Some historians say almost zero!) And I’d also want to ask him a lot of questions about Stede Bonnet, “The Gentleman Pirate” who was an equally fascinating and thoroughly hilarious character. He was rich, had a midlife crisis, became a pirate, and got thoroughly swindled by Blackbeard. (Side note: I was so happy when I heard the news that Taika Waititi would be creating a show about him!) Finally, I’d ask him to get battle ready. Before a skirmish Blackbeard would light fuses or small candles in his beard, since the smoke gave him a demonic appearance. It was his favorite scare tactic. I’d love to see it live!

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"An hour a day can be enough." Victor Piñeiro Gives Writing Advice and Discusses His MG Debut TIMEVILLAINS - Inkygirl: Guide For Kidlit/YA Writers & Artists - via @inkyelbows (6)Sara Truuvert completed her MLitt in Creative Writing at the University of St Andrews. She also holds a Certificate in Creative Writing from the Humber School for Writers and a BA in English, Drama, and the History and Philosophy of Science from the University of Toronto. Her work has appeared in the Literary Review of Canada among other publications.

For more interviews, see theInkygirl Interview Archive. Also seeAdvice For Young Writers and Illustrators, a compilation of tips generously offered by children's book creators Inkygirl.com has interviewed over the years.

"An hour a day can be enough." Victor Piñeiro Gives Writing Advice and Discusses His MG Debut TIME VILLAINS - Inkygirl: Guide For Kidlit/YA Writers & Artists - via @inkyelbows (2024)

FAQs

Is writing an hour a day enough? ›

An hour a day can be enough. I always thought I needed to quit my job and write eight hours a day to finish a novel, which held me back for years. Then I read a Murakami interview where he said he completed his first novel by writing an hour a day after work.

What is the pineiro screenplay method? ›

The Piñeiro Screenplay Method is named after Victor Piñeiro, an author, strategist, and the Director of Digital Innovation at HBO Max. It breaks down the elements of an effective screenplay into an easy-to-follow plot structure that can be used by beginners and experts alike.

Is an hour enough time to write an essay? ›

You can write a 500-word essay in an hour, but as the length increases, so makes the difficulty. As your essay length grows, the quality will probably decrease. This is because a lot of what makes your writing good is the editing process.

Is it good to write 1,000 words a day? ›

1,000 words a day is a fantastic way for new writers to build discipline, but it's not the best way to build a writing career. I love my work. I enjoy the process of writing. I can write several hours a day, every day, if I choose to.

What is the meaning of screen play? ›

A screenplay is a written work for a film, television show, or other moving media, that expresses the movement, actions and dialogue of characters. Screenplays, or scripts, are the blueprint for the movie. A screenplay is written in a specific format to distinguish between characters, action lines, and dialogue.

What is the difference between writing a play and a screenplay? ›

The process of writing a screenplay is different from writing a play in many essential ways. The first is the difference in the use of action. For screenwriters, action is the primary tool of structure. But for playwrights, the primary tool is dialogue.

What is the main purpose of a screenplay? ›

Screenplays function as the blueprint or the bedrock of any visual narrative. And despite common assumptions, they contain far more than just character dialogue. Not only do screenplays outline character interactions, but they also feature detailed descriptions of settings, scenes, and key visual elements.

How long should a writer write per day? ›

A good goal for many professional writers is to turn out five to ten pages a day during a four or five day work week. On average, a page equals 250 words set in 12 point Times New Roman.

How many hours a day should I practice writing? ›

If you can set aside 30 minutes to an hour every day for writing practice (and set yourself a word or page limit to meet), you can become a better writer.

What is a normal amount to write in a day? ›

Some writers are happy with 500 words a day, others with 1,000 words, and some, who write full time, may even strive to write 2,000 words a day. If you do the math, even if you only write five 500 words a day, that comes to 130,000 words in a year.

How much can you realistically write in a day? ›

Many lesser known or unpublished writers who blog claim word counts anywhere in the range of 500 to 3000 words a day with 1000 being the average. A few writers claim to produce between 4000 and 10,000 words per day.

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